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Grimur owns a horse and a pair of pincers and Egill owns a tractor. Johanna loves Raudka, her mare, but Raudka is in love with freedom. The one thing that Iceland has no shortage of, apart from ice that is, is scenery and director Benedikt Erlingsson makes great use of it in this strange tale that supposedly describes man's relationship with the horse but which lapses into the surreal often enough for us to wonder if Erlingsson has something else in mind.
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17 year old Noi drifts through life on a remote fjord in the north of Iceland.
In winter, the fjord is cut off from the outside world, ...
And there is an awful lot of psychology in the film, which is meant as praise.
The layers this film contains are very rich, and at a first look, I think it's impossible to fully comprehend them all. Everything, from to writing to the acting, from the camera-work to the music, everything works on many levels.
Finally it turns out that her husband is a latent alcoholic who submits to his addiction...